UPDATE: The below post originally appeared on Hypebot earlier this week and big thanks to Bruce for allowing me the space to discuss. Since then I’ve gotten a fantastic response from the music industry, especially around more frequent releases. Even execs who can’t yet convince their labels to release more music more often are agreeing. This will be the wave of the future. To emphasize that point, the day after the original post Island released yet another single and video for Justin. That’s 4 videos in 10 months. Also, My World 2.0 not only debuted at #1, but sold about 25% more than expected AND the first record increased in sales by 30%. Here’s the original post:

Justin Bieber mania has arrived. With the release of his new album, My World 2.0, and a sure thing #1 debut, many people are wondering how it happened. Teen phenomenons can certainly happen fast, but rarely without the help of a Disney show in recent years. By my rough calculations, after the first week sales of his new album are accounted for, Justin will have grossed approximately $15 million in total recorded music sales, not including ringtones, streaming revenue, T-shirts or posters in less than 9 months. And that’s just in the United States. For a music business in “trouble” and an artist aimed clearly at teenagers and below, this is a success, especially because the train is really just leaving the station.

So the question is, how did this become so successful so quickly? There’s been plenty of other artists who have been released in the same timeframe that can’t count this level of success in this short of a period. What made it work? There are a lot of specific elements in each song which I’ll detail shortly, but readers of Futurehit.DNA know the answer lies in Chapter 7 of the book:


Look at this timeframe of songs being released:

APRIL 2009 – Release of “One Time” single
JUNE 2009 – Release of “One Time” video
AUGUST 2009 – Release of “Favorite Girl” Youtube Video (with Taylor Swift)
OCTOBER 2009 – Release of “One Less Lonely Girl” single + video
NOVEMBER 2009 – Release of My World 8-song Album
JANUARY 2010 – Release of “Baby” single
FEBRUARY 2010 – Release of “Baby” video
MARCH 2010 – Release of My World 2.0 Album

Did you get all that? In a world where many people are in the game of milking singles for all they’re worth, Justin just kept releasing content. A new official video has been released every 3 months. Two album releases. 18 total tracks have come out. All within 9 months. Considering that most artists are at a pace that’s nearly twice about half that, it’s not surprising that Justin runs rings around them.

And this all occurred by focusing on the fan and constantly feeding them content rather than just chart positions. The first two singles didn’t crack the Top 15 on the Billboard Hot 100. And Justin’s biggest hit, “Baby”, reached #3. Meanwhile, #1 songs are regularly engaging in much less commerce.

And Justin’s songs regularly engage in a Futurehit.DNA formula to engage his young audience:

SHORT INTROS (Chapter 1)

“One Time” has a 7 second intro. “One Less Lonely Girl” has no intro. “Baby” has a positively long 14 second intro. Yet both “One Time” and “Baby” make use of Justin utilizing an “ay” and “woah” vocal during the intro. Since Justin has a young higher pitched male voice, one could make the argument that he is creating a distinctive vocal right from the get-go so you know who’s singing.

LONGER SONGS (Chapter 2)

Justin Bieber’s songs are hardly epic with lengths of the singles ranging from 3:30 to 3:50. However, considering that Ke$ha’s big hits don’t even reach 3:30, he’s definitely competitive in his category. Regarding length, Justin’s songs actually fall right into the range of the majority of Top 100 songs at the moment.


There’s not a lot of chord changes going on in Bieber’s hits. However, he puts the dramatic changes where it counts. I often talk about the need to change things up around the two minute mark, and Bieber does this regularly. In “One Time”, the song drops all instruments except drums giving Justin a moment to sing acapella, which given his talent is very distinct. In “One Less Lonely Girl”, a very distinct key change occurs. And in “Baby”, there is a significant drop out towards the end of the 2nd verse that’s attention grabbing that then leads into the Ludacris verse. Nothing earth-shattering, per se, but all effective in engaging the listener at a time that counts.

REPETITION (Chapter 10)

If there’s anything that occurs in Bieber’s songs, it’s repetition. And to hit the teen and tween market, it’s almost too obvious that this technique would be utilized. The title of “One Time” is repeated 32 times in the song, with the word “one” used an additional 17 times. A long song title doesn’t prevent “One Less Lonely Girl” being repeated 39 times. For “Baby”, they probably went for the world record with 55 mentions of the title. Within the rest of the songs, there are numerous other instances of repetition to just add to the effectiveness of repetition.

Again, all of these elements and more contribute to the phenomenal success of Justin Bieber. Towering above them all, however, is the super serving of the audience thru constant releases. This is an element that can occur on any scale with any style of artist. The more you keep momentum within your audience and the more you keep them engaged, the more likely you will succeed. If more artists followed this formula, a $15 million US gross for recorded music would be a more regular occurrence.

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