Tag Archives: Kim Kardashian

MEGAUPLOAD: SAMPLES OR SINGING?

The insider music biz controversy this week involves the Megaupload song.  This is a song created by the popular crowd file-sharing site that features some musical celebs endorsing the service.  This is controversial because it’s widely known that there are often many files on the site that are pirated.

Universal Music Group (UMG) ordered YouTube to pull the video over copyright restrictions because its artists were performing on it without their permission.  Megaupload claimed they had all the footage cleared and threatened to sue UMG.  Recently, the video came back on YouTube after they sided with Megaupload on the ownership. Watch the video for yourself here:

Now, I’m not here to debate the ethics of Megaupload nor whether UMG overreached in their takedown relationship with YouTube. What interests me is that this may actually turn into an interesting case on sampling and at what point a sample turns into a song.

At this point, given what is known publicly, I’m going to make some assumptions that I don’t have confirmation of. It appears that Megaupload was able to get interviews with celebs including Kim Kardashian, Serena Williams and Kanye West where they endorse the site. Given the pushback that Megaupload gave to UMG, I assume that these interviewees signed artist release forms that gave the site permission to use that footage in promotional videos without further compensation. These are standard agreements for artists to sign in these situations. UMG generally has control over the usage of the artist when they are singing/performing, but not over interview footage. As such, Megaupload would likely be correct in their assertion of ownership.

However, some of the interview samples were altered to fit rhythmically and musically to the instrumental backing track. In my opinion, this would include Will.I.Am’s appearance at the beginning as well as Chris Brown, Diddy & Lil’ Jon’s appearance at the bridge. While spoken word has been altered to fit a musical composition for decades now (groundbreaking group Tackhead first comes to mind), this is the first instance I can think of where interview footage of major musical artists privately-owned by a company was altered into a musical composition. This opens up a Pandora’s box of questions:

If the broad clearances for interview footage do allow for alterations into musical compositions, might many media outlets (such as Entertainment Tonight or CNN) now be able to create songs from stars without further compensation to said stars?

If it could be determined that these sampled portions are part of the musical composition, wouldn’t the artists (Will.I.Am, etc.) be entitled to songwriting credit? As such, wouldn’t they be able to block the song since they would have to approve first use? I would doubt that Megaupload had clearance so broad to allow for blanket first use permission prior to creation of a musical composition. If the artist would receive songwriting credit, then presumably they would profit from the YouTube exploitation as well.

If these portions are indeed to be found as musical works, wouldn’t UMG’s takedown claim prove to be true as their exclusive contracts with their artists would supersede the artist’s own signature with Megaupload? If they are not musical works, can we expect a rash of altered samples of speech by musical artists to become legal for stream and sale? And if so, how would payments work given the above questions regarding songwriting credit/royalties?

Will this change the dynamic of the artist release agreements all major media outlets utilize? Will they now have to be altered to give the artists some comfort that the footage would not be used for musical compositions?

Sampling in general has been a game of testing the limits ever since it was first implemented in the music business. I’m not really taking a position either way on this issue because I get the value in both sides of the argument. What will be interesting is the outcome as I presume it will have some lasting impact on songs to follow.

I know there are many sampling and free speech experts who read this blog and have far more expertise than I do on this subject. What are your thoughts?

UPDATE (12-19-11): Today, the agreement form with Will.I.Am leaked online and can be found here. The language is typically broad and standard. While I’m not a lawyer, there is certainly reason to side with Megaupload because the language is so broad to cover all the examples mentioned above. If so, then they’ve screwed the pooch for themselves and others as now you’ll likely see many music biz pros taking a fresh look at these agreements and refusing many of these reaches. Of course, there’s a confidentiality clause that’s obviously now been breached. I would presume Will.I.Am did not do the breaching, so could that now make the agreement null and void?

REBECCA BLACK: WINNERS AND LOSERS

A week ago, I certainly didn’t intend to write (or obsess) so much about Rebecca Black and her viral internet meme “Friday”. However, there is so so much to learn from this track. In one week, this song basically upended the music business conversation. What are the results of this?

Read More…

REBECCA BLACK: LEARN FROM THE WORST

In the past several days, a new pop artist has emerged. No, it’s not Kim Kardashian whose new single is already out of the iTunes Top 100 after 2 weeks (as of this writing). None of the YouTube videos for her song “Turn It Up” even has a million views yet. No, this new pop star is an indie artist, has no real story, and no radio exposure, yet has already racked up 6 million views and counting. The song is “Friday” and her name is Rebecca Black. If you haven’t experienced this new viral sensation, watch it now:

Read More…